🗿 A Sculptor's Study of Faces and Flesh

Jack Cox's obsessive practice involves sculpting hyper-realistic human heads — lumpy, fleshy, heavy with gravity. The short film trails him through his cramped New York studio and out into the street, which he treats as a way to gather a 'sociological understanding of humanity.' Its style mirrors his social unease: long silences, abrupt edits, wordless hesitation. He says if the heads could talk, they'd probably just say: 'This sucks — don't make me exist.'