Grokkist Press Reading Room

What it might do

Help me feel grounded

What might bring me back to myself?

From the Snackables

Found elsewhere, doing the same.

All the Snackables ↗

🎨 Sculpting with Tree Sap and Time

A 15-minute documentary following Kyoto artist Mine Tanigawa as she creates sculptures from urushi lacquer, a material used in Japan for over 7,000 years. Less a 'making of' than a portrait of attention: raw tree sap transformed through layer upon layer of colour, polishing and curing, eac

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👁️ Iris Murdoch and Love as a Way of Seeing

Matthew Crawford revisits Iris Murdoch as a philosopher pushing back against thin, hyper-rational models of human life. For Murdoch, morality isn't mainly abstract reasoning but attention — the difficult practice of seeing the world, other people and oneself more clearly. Her radical claim

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🕯️ A Religion Without Doctrine

A case for a religion that doesn't ask you to believe the right things but to show up and practice. Modern Quakerism is almost purely orthopraxic: sit in silence, pay attention, speak only if something real needs saying. At its centre is a simple claim — there's a part of you that already

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🏺 A Potter's Love-Hate with Porcelain

'Somewhere down the line it's just going to be another failure…' A potter returns to porcelain after years with stoneware and captures, with exquisite honesty, the tender friction of re-encountering a material that resists and reveals. Porcelain throws like plasticky cheddar, he says — sed

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🕊️ Simone Weil on the Generosity of Attention

'Attention is the rarest and purest form of generosity.' For Simone Weil, attention isn't effortful focus but an emptying out — a waiting, a letting-go of expectation so that something real can arise. 'Our thought must be empty, waiting, not seeking anything.' A kind of secular prayer. For

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🪵 Kumiko: The Japanese Art of Wood Joinery

Kumiko is the centuries-old Japanese craft of assembling wooden lattice patterns using nothing but precisely cut joints — no nails, no glue, just care and tension. We follow Kurozu Tetsuo, one of the few remaining artisans keeping the tradition alive; as his hands move with practiced calm,

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